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| SOL PAINTINGS
by ISABELLE BORG
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"Uninhabited, removed of all identifiable traces of land, architecture and people, these canvases breathe a new kind of freedom and candour. Isabelle Borg has now found solace in universal basic forms with a view to distilling her art into quintessence.
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Circles, triangles and quadrangles frequently recur as the main motifs. While dramatic, interrupting and independent diagonals have been entirely dispensed with, most of these geometrical forms, built on horizontals, verticals and circumferences, emanate from the axis of the canvas. The overall impression is one of gradual and steady symmetrical expansion, thus maintaining equilibrium throughout. This strong sense of radiating movement is synonymous with the solar energy that these canvases are so intimately connected with. The rising and setting circles as well as the ascending pyramids within them recall the symbolism they have acquired over time: stability, eternity, immortality and divinity.
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In synchrony with this harmony of structure are the spring and summer colour schemes. By means of thick, richly textured and restless - and at times, aggressive - brushwork, colour is charged with movement. Complementary hues are paired off and internal contrasts of intensity are well counterbalanced. No hue, tone, or form is in competition, so the tonal structural balance achieved is never disturbed. Hence, the calm response that these canvases elicit.
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Throughout the entire collection, this lack of sophistication should be understood as forms divested of all pretentiousness to acquire an intrinsic appeal. Their very nakedness makes them increasingly suggestive, further enriching the spectator's experience. Deceived by their uncomplicated appearance, the spectator might imagine a substantially effortless approach for the creation of these canvases. Indeed, the enormous amount of effort and self-discipline that this entailed cannot receive the full appreciation it deserves. Moreover, Isabelle has taken great pains to ensure that the spectator's rapport with these canvases is one of absolute ease - and this is where they merit the most praise."
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Bernadine Scicluna, 2001
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Brochure for exhibition at St James Cavalier, Valletta, Malta
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